Fanziska Narzinski is an artist living and working near Hamburg, Germany. She operates under the artistic persona KOSI, a constructed figure that functions simultaneously as shield, filter, and interlocutor. Through this alter ego, Narzinski develops works that appear direct, often playful, narrative, or formally reduced, yet resist simplicity on closer inspection.

Her practice draws on political, social, and pop cultural contexts, combining irony, restraint, and a quiet, dry humor with subtle dissonance. Beneath the apparent clarity of her imagery lies a deliberate tension between surface accessibility and conceptual depth. This friction reflects a dual awareness, the instability of the contemporary world and the intimate structures of care, responsibility, and the persistent demand to find meaning within it.

Melancholy, a feminist sensibility, and a measured skepticism toward human behavior inform her visual language. KOSI is not a mask but a method, one that allows distance, precision, and layered reflection.